Do you ever collaborate with other artists to create a craft sculpture, and if so, how does that work?

Absolutely, I do collaborate with other artists on craft sculptures, and it’s one of the most enriching experiences in my creative journey. Collaboration doesn’t mean losing your voice—it’s about expanding it. Typically, it starts with a shared concept or a theme that excites us both. We sit down, sketch together, and talk about materials. One artist might be a master of metalwork, while I bring a strength in organic forms or wood carving. So we map out who does what: maybe I shape the core structure, and they add the intricate metal filigree. Communication is key—we use a mix of real-time studio sessions, shared digital mood boards, and a lot of honest feedback. Sometimes we work side by side at the same bench, passing tools and adjusting each other’s touches. Other times, we work separately and merge pieces later, like a sculptural puzzle. The magic happens in the unexpected moments—when our styles clash and create something neither of us would have made alone. Of course, we also handle practicalities: splitting costs of materials, agreeing on a timeline, and deciding on ownership or exhibition rights upfront. But the real reward is the synergy—watching a craft sculpture emerge that breathes with two souls. It’s messy, it’s joyful, and it always teaches me something new about my own art.